finefood records and benjamin fehr are doing it again!

fabio jeffterry is starting a new journey through detroit and chicago house landscapes without any borders. the artist, who was heavily influenced by black music of the 80s gives life to the fresh tracks, which wait to be discovered by all house music lovers.

after the part iii, the part iv of habitat series focuses all the energies on the next 4 track project where matrixxman, mental resonance, benjamin mull and christian lisco are the protagonist of this highly flammable ep. dark, acid, futuristic and rough elements blend together into something incredibly harmonious.

groovin minimal tech madness, including re-up remix.

wake up! records is proud to announce rise and fall, the debut ep by ian oakley, a new talent from toronto. skewing acid-tinged house with languid, lopsided grooves, rise and fall weaves a mix of dubbed-out elements into a unique, intuitive whole. �thumbs� evokes a liminal space perfectly suited for late night cruises and hypnotized foors. �rise and fall� stays true to its name, a slippery bassline ebbing and fowing against a elegantly mellow beat. on the b-side, �bug jam� indulges oakley�s electro side, while label co-owner benjamin brunn remixes �rise and fall,� reimagining the original as a spacious, kosmiche slow burner. rise and fall is a confdent debut, as potent in headphones as on the decks and a welcome edition to the growing wake up! catalogue.

our third to last release combines two driving forces of contemporary techno: homegrown benjamin damage is joined by truncate, a deadly combination for any dj s bag. ben damage s -battle- sees him layer his hyperactive grooves over a thumping kick with a small but effective acid line topping things off. truncate s -86- is a massive track dave sumner aka function previously used in his -berghain 07- mix, obviously serving as one of the highlights in there. it s creeping synths build up to a climax in typical truncate fashion, with huge, compressed kickdrums pounding the dance floor mercilessly

mit einem epischen neun-minüter kehren benjamin damage & doc daneeka für das 50weaponsfinale zurück zum label. -kansas- lässt kontraste zu einer darken und futuristischen stimmung verschmelzen und schafft dabei eine ganz eigene berghain-eske atmosphäre. ein brandhartes, trippiges killer-clubtool für den extra kick endorphin. auf der b-seite liefert das londoner duo bicep einen ganz eigenen hybrid: funky, hypermoderner uk house und trotzdem klingt es irgendwie wie ein dancelfoor-classic. closing sequence* ist der perfekte tune für die frühen morgenstunden. auch als soundtrack für den nächsten marathon geeignet. unaufhaltsam.

�obsidian� lässt raum für melodie zwischen den kicks und snares und öffnet sich dem hörer in einem traumähnlichen gefilde. damage verzichtet dabei eher auf rohe beats, tracks wie �cosmonaut�, �parallax view� und �transmission� liefern aber mit sicherer schlagkraft einen adrenalinschub. es sind jedoch die sphärischen titel wie �pulse width� und �poly�, das acid-angehauchte �tetrapod� und das großartige �shimmer�, mit denen sich der künstler tiefer in das unbekannte wagt. man fühlt sich an die genialität von afx, skam und autechre erinnert. �obsidian� zeichnet sich durch ein zusammenspiel von wärme, herz, seele und viel viel schweiß aus und zeichnet somit ein perfektes bild und ein grandioses finale für das label. benjamin damage selbst beschreibt das album als: -collection of fragmented memories from all the music i�ve ever liked, distorted and restructured into a full length techno record. a purely personal project and an end of an era with 50weapons.� man vergisst schnell, dass benjamin damage erst seit 2010 platten veröffentlicht. nur zwei jahre, nachdem sein erster track released wurde, erschien sein hochgelobtes debüt-album �they!live� zusammen mit doc daneeka. damages erste solo-album folgte im folgenden jahr und zeigte eine entwicklung hin zum von plaid und jeff mills geprägten sonic sci-fi. kritiker lobten die wärme und rückkehr des souls in die von kälte geprägte welt des berlin-techno.

arma continues to translate the clubs unparalleled experience into vinyl format. 10th release from the label features benjamin brunns track *gamma delta epsilon* followed with two remixes by steve summers and alex danilov. in the original version brunn merges techno and futuristic house patterns into beautiful grotesque rhythm construction. both retakes show authors at their best: alex danilov creates a deep cosmic mood slowing down the tempo and adding dreamlike poetic chords, steve summers boils track down to laconic strong-beat narrative. the record comes in cover that features original painting by pavlik kuznetsov.

140g vinyl with crossword puzzle to find out the track names! a1: trippy trip house with stompy bass, sometimes, and trumpet alike synths playing softy on the other end, ever changing. a2: slow slow slow strong powerful and dirty, yet softy hippy real music. b1: loopy house with non-loopy synth and bass line on top. b2: beehive sound reloaded with hand-played lead synth on top sounding strongly live.

record in paper sleeve + 12 inch photo print in transparent plastic sleeve.
east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

there are two front-cover artworks on one record: one by stefan marx, one by alex solman info: back in 2012, benjamin brunn played a heartbreaking ambient liveset at the almighty golden pudel club, hamburg. his set was recorded and released as a cd on pudel produkte. as it was the perfect soundtrack for the lazy days at smallville recordstore, we all felt the urge to release this on vinyl- and during a blurry smallville night at pudel, we decided to do it. benjamin cut out two parts of 20 minutes each and here it is as a limited recordstore day 2015 item. there are 2 front covers on this fullcover sleeve- one from stefan marx and one from alex c.i.a solman, the king of pudel-related artworks and mfoc.

carousel records makes it�s debut alongside toronto�s benjamin wood, delivering 4 illusory cuts inspired by tarkovsky�s �stalker� and the paranoid fiction of w.s. burroughs. queen street noise, industrial ventilation and partially functioning gear meet in a rusty parkdale apartment to realize wood�s sui generis sound.

for a long time, vidal benjamin has been getting up early at the weekends. whether alone or in company, he digs his hands into various crates at record fairs, flea markets or in empty attics, to uncover records that have long been forgotten, ignored or even despised. among the small circle of parisian diggers, his reputation precedes him: it is he who finds and it is he who shares. it is not unusual that in his wake, one finds a certain record long lost, left behind as a special gift from vidal. he likes to share so that others may discover. and it is for that same reason that he regularly sleeps late, playing records in clubs at night, where he follows a similar path: altruistic, educational and festive. it�s no surprise, then, that his first compilation goes by the fitting title of disco sympathie.

vinyl only

limited edition 7inch red colored vinyl.

this october, the compilation disco sympathy will be released on versatile. it�s author is vidal benjamin, an outstanding dj / digger, considered by his pals as one of the most brilliant in his category. and that says a lot! here he makes us rediscover the sound that was so characteristic of a certain early eighties french scene: wacky, happy, dancing and at times even poetic. one begins to travel through an era during which the french producers were not afraid to tackle disco, american boogie, british and german synth wave, to present us their version: french, poppy and above all... fun!as a prelude, before releasing the compilation, versatile will come with limited 33 rpm and 45 rpm maxis, on which every track has undergone an editing treatment by mysterious french producers: jean-marc misère (last sighted somewhere near london), dj ringardos (who, since his last versatile release in 2008, chose roman exile), alt (already spotted on the edits du golem and on the us label black disco), and of course vidal benjamin himself, accompanied by gilbert cohen - the boss. on the 45 rpm you ll find no-one less than jeff lasson, of the get a room! duo, who came through with flying colors. and as a bonus beat: misère on the b-side.

excellent spooky hypnotic minimal tech madness

vinyl only - no repress!
including remixes by dan andrei & michael melchner!

maeve label honcho the drifter and co-emperor of the permanent vacation kingdom, benjamin fröhlich, team up for some rascal business. always quick to pull the sling shot out of the back pocket and hit you right between the eyes, the original version of -waterville- is full of hazy melodies, washed out bells and quirky arpeggios backed up with concrete drums for some extended dancefloor meditation. while the high tide mix wraps things up a bit with some more prominent drums and a little extra spice on the bassline. mysterious uk producer a sagittariun sculptures out of the original a breakbeat house track, that sounds like a hidden treasure from this short but influential period.

benjamin damage meldet sich mit drei amtlichen clubbangern zurück! speziell das mit seiner neuen analogen tb303 erzeugte, ravige *acid bath*, als hommage an den bleepsound der goldenenen Ära der 90er jahre, ist ein fest für alle techno-liebhaber. damit bewegt sich benjamin weiterhin geradewegs in technogefilde, während seine uk bass-vergangenheit nur noch ansatzweise durchschimmert.

benjamin brunn follows up on his wake up 12 inch with this collaborative release, inviting some friends to make some deep jams. includes contributions from kai kroker & move d of studio pankow, & dave wheels of wen. 300 numbered copies in handpainted / sprayed sleeves.

benjamin roeder & max josef sugar steady white catalogue number br01. one-sided white-label release. directed by benjamin röder. produced by max josef. munich 2014.

grow005 deformation professionelle by benjamin fehr is a dark and tearing offering of contrasting energies: ripe in internal questioning, relating passions, and an attitude with a strong determined momentum. 3 original works and a remix by isherwood.

>hi-tide lo-fi< can be read like a sonic map. but instead of a static picture its a growing and evolving concept of explored and lived in space. every space creates its own sound. not only because of the physical premises of a place do we experience sounds differently but also because of our perception and construction of space. and as each sound does have an individual meaning to us so does each space. our identity is directly linked to our access to sound and space. benjamin brunn is questioning these access possibilities and offers us a soundscape of fluxing indentity. within a timeless sound lies the opportunity of liberated being.

atmospheric tech house and crispy downtempo tracks from benjamin brunn.

benjamin damages neue ep ist eine hommage an den raren analog-synthesizer eti 4600, die nach seinem album *heliosphere* wieder eindeutiger auf den dancefloor zielt. alle tracks wurde live mit analogen synths-samples aufgenommen.

repress 2015 !!
the dreamteam of deepest sound hallucinations enters a new horizon. after their outstanding longplayer >songs from the beehive< and releases on shanti and workshop move d and benjamin brunn are back on the dancefloor with three new tracks on the smallville imprint. warm like an early summer night this 12inch is the perfect soundtrack for the season we all prefer. magical sounddesign meets hypnotic grooves. move d and benjamin brunn again create storytelling music with a highest grade of soul.

second release from swedish label sorgenfri inspelnigar is a split ep from label boss benjamin syra and ken odd. on the menu is 4 tracks of analogue acid & techno. vinyl only!!

das remix-package nr.2 aus benjamin damages soloalbum *heliosphere* bringt rohen, deepen techno von truncate aus l.a. und scntst aus berlin, als würdige nachfolger der beiden robert hood remixes. manuell gestempeltes white label.

sorgenfri inspelningar is a new label hailing out of malmoe, sweden. syra is significant for acid in swedish, and that is what this first release is all about! benjamin syra provides 4 great analog acid tracks, limited 300 copies, vinyl only.

delirium tremens, einer der clubtracks aus benjamin damages aktuellem album heliosphere, erfaehrt den remix von detroits techno-legende robert hood, sowie die extended version von benjamin damage himself, und verspricht, einer der besten techno-tunes des laufenden jahres zu werden. manuell gestempeltes white label.

amazing fresh deep house, 4 track vinyl compilation, tipp

second part of butchs hot highbeams release features three great remixes of the original 12inch by esteemed producers maceo plex, miguel campbell and pbr streetgang.. hot as you like!

benjamin damage liefert mit seinem solodebüt >heliosphere< ein sonic-sci-fi-techno-album ab, das nicht nur an die frühen plaid, black dog prod., boards of canada oder luke slaters 7th plain-projekt erinnert, sondern auch an dancefloor-klassiker von surgeon, regis, dave clarke oder jeff mills, die bekanntlich genau wussten, wie man die leute zum tanzen bringt. das album atmet den sound von 1994, ohne dabei zu vergessen, dass wir uns im jahre 2013 befinden. tanzmusik mit Überzeugung und ein geradliniges und schönes werk.

benjamin damage liefert mit seinem solodebüt >heliosphere< ein sonic-sci-fi-techno-album ab, das nicht nur an die frühen plaid, black dog prod., boards of canada oder luke slaters 7th plain-projekt erinnert, sondern auch an dancefloor-klassiker von surgeon, regis, dave clarke oder jeff mills, die bekanntlich genau wussten, wie man die leute zum tanzen bringt. das album atmet den sound von 1994, ohne dabei zu vergessen, dass wir uns im jahre 2013 befinden. tanzmusik mit Überzeugung und ein geradliniges und schönes werk.

after his excellent lullabies to paralyze on visionquest at the beginning of the year, hot creations release the monumental highbeams single featuring the vocal talents of benjamin franklin.. with a remix 12inch to follow

benjamin brunns first full-length since songs from the beehive with move d, leaving aside his recent colour tracks which was a history of edm.

swarm / headache is a bold solo statement. uk techno reminiscent killer dj tools. a reference to the heydays of techno with a fresh and nonchalant approach.

this is a 1 off collaborative ep between sonic wizard my panda shall fly and analogue disciple benjamin jackson. mpsf has been on the scene a while, with releases on dam mantle�s growing records & wichita. benjamin jackson is a relative newcomer, having only self-released last year through his own label, �thanqu�. the pair recorded the bulk of the ep collaboratively without ever having met. the ep is rounded off by remixes from -no pain in pop�s critically aclaimed patten -r & s�s hyped new signings cloud boat -�my panda shall fly�s material is groundbreaking�

new ep from berlin-based producer, artist, dj and head honcho of catenaccio records, benjamin fehr. this 1 inch highlights his commitment to >groove noir< - fehr s self-defined dark and psychedelic take on electronic music. the lead track, my lover lures the listener in with dark, minimal grooves, perfectly exemplifying fehr s hypnotic sound. the b-side puts the groove in groove noir, thumping out of the gate with a dark kick that builds and builds, punctuated by a single haunting piano key. on the scene since 1993, fehr started out with residencies at well-respected clubs such as robert johnson and the legendary kiosk. he s had a multitude of releases on well known labels, like foundsound, brouqade, lowmidhigh lmtd, tic tac toe, nervmusic, adjunct and many more. 2011 has kept fehr busy with the release of his ep, stay at home and read a book on his own label and upcoming remixes on eminor, nervmusic, suena hermosa, 3117 records, and leet.

ambientish mixture of future garage, uk funky & techno with a subtle rave factor. double 12 inch on black vinyl.

ambientish mixture of future garage, uk funky & techno with a subtle rave factor. double 12 inch on transparent vinyl.

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

eminor goes 30! even with round numbers, eminor continues ist path of digging deep into the universe of talents, coming up with a mix of freaky weirdness and heavy reduction. a1: jon seber - juggernaut. after listening to this masterpiece, people will almost certainly agree that this a guy is one to watch! a2: jon seber - juggernaut (benjamin fehr rmx). benjamin fehr turns the original into a wobbling universe of strangeness, an orchestra of the weird. b1: reagen - black clock. with reagen s black clock, eminor dares to step back into the world of harsh and heavy techno, excellent production, a massive order of drums in time. b2: reagen - black clock (dubit s quiet bimix). dubit analyses the black clock with an equally focussed, clear structured yet more subtle approach, toolish and monumental.

second 10 inch by benjamin brunn to complete his gorgeous >dust< release.

2 cuts of gorgeous house-music by benjamin brunn on 10 inch vinyl in an equally great cover. a true beauty!